Free PDF The Great God Pan and Other Horror Stories (Oxford World's Classics Hardback Collection)

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The Great God Pan and Other Horror Stories (Oxford World's Classics Hardback Collection)

Free PDF The Great God Pan and Other Horror Stories (Oxford World's Classics Hardback Collection)

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Review

"This is a must-have collection of landmark tales of horror." -- Publishers Weekly "This collection, complete with an introduction on Machen's life and work, is highly recommended not only for fans but for any general reader interested in weird fiction or gothic horror in general." -- Alan Keep, Booklist"This beautiful hardback edition of [Machen's] work is the perfect way to begin exploring his classic horror fiction." -- Interesting Literature

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About the Author

Arthur Machen is a significant figure in supernatural literature of the late-nineteenth and early-twentieth centuries. His work, which mixes Gothic horror with fin-de-siecle mysticism, has influenced writers and film-makers (notably H. P. Lovecraft, Jorge Luis Borges, Stephen King, and Alan Moore). From the beginning of his literary career, Machen espoused a mystical belief that the humdrum ordinary world hid a more mysterious and strange world beyond. His gothic and decadent works of the 1890s concluded that the lifting of this veil could lead to madness, sex, or death, and usually a combination of all three. Machen's later works became somewhat less obviously full of gothic trappings, but for him investigations into mysteries invariably resulted in life-changing transformation and sacrifice. Aaron Worth is Associate Professor of Rhetoric at Boston University, having previously taught courses in English and American literature at Brandeis University. His book Imperial Media: Colonial and Information Systems in the British Literary Imagination, 1857-1918 was published by Ohio State UP in 2014 (reviewed in TLS and widely in scholarly journals; paperback edition in 2016). He has published essays on Victorian literature and culture in leading journals including Victorian Studies, Victorian Literature and Culture, and Victorian Poetry, as well as original horror fiction in magazines including Cemetery Dance and Aliterate. Worth is the author of the entry on Horror Fiction in the recent Blackwell's Encyclopedia of Victorian Literature (2015).

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Product details

Series: Oxford World's Classics Hardback Collection

Hardcover: 448 pages

Publisher: Oxford University Press; 1 edition (April 1, 2018)

Language: English

ISBN-10: 9780198813163

ISBN-13: 978-0198813163

ASIN: 0198813163

Product Dimensions:

8.6 x 1.5 x 5.6 inches

Shipping Weight: 1.2 pounds (View shipping rates and policies)

Average Customer Review:

4.0 out of 5 stars

3 customer reviews

Amazon Best Sellers Rank:

#332,227 in Books (See Top 100 in Books)

While I appreciate the opportunity to read this work in a hardcover edition, unfortunately it was barely a step up from a softcover. The pages are of a cheaper, slightly thicker material than what you find in their paperback classics. The spine is glued, which is to be expected for this price range; however, the quality of the glue I question if it will last too terribly long. There is not dust cover and for this type of cloth based cover, I think it warrants at least a dust cover. It wasn't a terrible quality but overpriced for what you are receiving. I noticed they had other classics as well and to be candid, I could spend the same amount and get a good Easton Press, Folio Society, or Franklin Library that is far greater quality. Even for modern, mass produced hardcovers this was on the cheap side. Again, it isn't a terrible quality but don't set your hopes too high.

This is a collection of those stories of Arthur Machen that fit into what would now be thought of as 'weird' tales. Normally when a book is titled after one story with the rest lumped under “and other”, my expectation would be that the title story would be the best of them. And indeed, I loved The Great God Pan. But I was thrilled to find that many of the other stories in this book are at least as good, and some are even better. I've discovered a new favourite horror writer!The book is edited by Aaron Worth, Associate Professor of Rhetoric at Boston University. He provides an informative introduction, which gives a brief biography of Machen's literary life along with a discussion of his influences and themes, and of his own influence on later generations of writers. Worth also provides copious notes to explain any unfamiliar terms, or allusions within the text to other works, to mythologies, or to the preoccupations of Machen's society. All of this richly enhanced my reading experience, reminding me once again that, great though it is to be able to download so many old stories, a well-edited volume is still a major pleasure.Machen's stories are set mainly in two locations, both of which he evokes brilliantly. His native Monmouthshire, in Wales, is depicted as a place with connections to its deep past, where ancient beliefs and rituals are hidden just under the surface of civilised life. His London is a place of dark alleys and hidden evils, with a kind of degenerate race living side by side with the respectable people, and often stretching out a corrupting hand towards them. Worth tells us that Machen was sometimes considered to be connected to the Decadent movement – Oscar Wilde, Aubrey Beardsley, et al – although Machen himself disputed this. But there is a definite air of decadence with a small 'd' about the stories. Many have strong sexual undercurrents (never overtly spelled out – it's the Victorian era) and paganism is a recurring feature. There's also a frequent suggestion that the morally deficient are most likely to succumb to the forces of evil, and will often pay a horrible price for their weakness.The quality of the writing is excellent – stylistically it compares to the likes of Conan Doyle or HG Wells. There's a good deal of humour in it alongside some effective and occasionally gruesome horror and he's a great storyteller. His descriptive writing is also very good. I particularly liked how he used London pollution effectively to give a strangeness to the city – his skies are purple, grey, dark, red, and the street lamps have to fight to shed their light through the dirty air. His Wales is equally good in what feels like a deliberately contrasting way. There, the air is clear but there are hidden things behind ancient rock formations – old symbols, and sometimes new symbols placed by ancient races.The Welsh parts have a very similar feel to Lovecraft's ruins – Lovecraft acknowledged his influence – but where Lovecraft opted for ancient malign aliens, Machen's evil is all of earth, earthly. Worth reminds us that this was at a time when Victorian society was having to get used to the ideas that man had evolved from the beast and that the world was far, far more ancient than had previously been thought. Where Wells takes evolution far into the future in The Time Machine, Machen instead suggests that some of the ancient things of earth are still here, unevolved and unchanging. And that sometimes they might even live within us...The stories range in length from a couple of pages to well over a hundred. I gave every one individually either 4 or 5 stars – I think that's a first for me in any collection. Some of the very short ones are a little fragmentary, but each either tells a tale on its own or adds depth to the world Machen has created. Some are outright horror, some more an evocation of a kind of witchy paganism, some based more in reality. If, like me, you've managed to miss out on Machen up till now, I strongly recommend you make his acquaintance – a great collection.NB This book was provided for review by the publisher, Oxford World's Classics.

I checked this book out of my local library, and was shocked at how good this was, even though the style of writing is very old-fashioned, like Dickens or R L Stevenson. Solid creepy stories, that feel like they could have really happened.

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